{"id":935,"date":"2013-03-23T05:09:47","date_gmt":"2013-03-23T05:09:47","guid":{"rendered":"http:\/\/www.ffzg.unizg.hr\/francontraste\/?page_id=935"},"modified":"2022-09-19T11:07:26","modified_gmt":"2022-09-19T11:07:26","slug":"programme-01-02","status":"publish","type":"page","link":"https:\/\/francontraste.ffzg.unizg.hr\/2013\/?page_id=935","title":{"rendered":"Programme &#8211; Jeudi 11 avril"},"content":{"rendered":"<div class=\"mceItemVisualAid mceItemLayer\" style=\"position: absolute; left: 283px; top: 206px; width: 100px; height: 1000px;\">\n<span style=\"font-size: 10px;\">12.15-14.00<\/span><span style=\"padding-left: 5px; font-size: 10px;\">Cantine de la Facult\u00e9<\/span><\/p>\n<p style=\"text-align: center;\"><span style=\"font-size: 10px;\">D\u00e9jeuner<\/span><\/p>\n<table style=\"left: 1px; width: 585px;\" cellspacing=\"0\" cellpadding=\"5\" border=\"1\">\n<tbody>\n<tr>\n<td style=\"background-color: #a6a6a6; width: 37px; padding-left: 5px;\" valign=\"top\"><span style=\"font-size: 10px;\">08.00-09.30<\/span><\/td>\n<td style=\"background-color: #d0d0d0; padding-left: 5px;\" colspan=\"4\" valign=\"top\"><span style=\"font-size: 10px;\">Hall de la Facult\u00e9<\/span><\/p>\n<p align=\"center\"><span style=\"font-size: 10px;\">Accueil &#8211; Inscriptions<\/span><\/p>\n<\/td>\n<\/tr>\n<tr>\n<td style=\"padding-left: 5px; background-color: #a6a6a6;\"><span style=\"font-size: 10px;\">09.30-11.00<\/span><\/td>\n<td style=\"padding-left: 5px;\" colspan=\"4\" valign=\"top\"><span style=\"font-size: 10px;\">Amphith\u00e9\u00e2tre 7<\/span><\/p>\n<p align=\"center\"><span style=\"font-size: 10px;\">C\u00e9r\u00e9monie d&#8217;ouverture<\/span><\/p>\n<\/td>\n<\/tr>\n<tr valign=\"middle\">\n<td style=\"padding-left: 5px; background-color: #a6a6a6;\"><span style=\"font-size: 10px;\">11.00-11.30<\/span><\/td>\n<td style=\"background-color: #d0d0d0; padding-left: 5px;\" colspan=\"4\" valign=\"top\"><span style=\"font-size: 10px;\">Salle du Conseil &#8211; Vije\u010dnica<\/span><\/p>\n<p align=\"center\"><span style=\"font-size: 10px;\">Pause caf\u00e9<\/span><\/p>\n<\/td>\n<\/tr>\n<tr valign=\"middle\">\n<td style=\"padding-left: 5px; background-color: #a6a6a6;\"><span style=\"font-size: 10px;\">11.30-12.30<\/span><\/td>\n<td style=\"padding-left: 5px;\" colspan=\"4\" valign=\"top\"><span style=\"font-size: 10px;\">Amphith\u00e9\u00e2tre 6<\/span><\/p>\n<p align=\"center\"><span style=\"font-size: 10px;\">Conf\u00e9rence pl\u00e9niere 1<\/span><\/p>\n<p align=\"center\"><span style=\"font-size: 10px;\">mod\u00e9rateurs: Bogdanka Pavelin Le\u0161i\u0107, Dra\u017een Varga<\/span><\/p>\n<p style=\"text-align: center;\"><span style=\"font-size: 12px;\"><strong>Raymond Renard<\/strong><\/span><\/p>\n<\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: center; background-color: #b8cefe; width: 37px;\" colspan=\"5\" valign=\"top\"><span style=\"font-size: 12px;\"> <strong>SESSION A<\/strong><\/span><\/td>\n<\/tr>\n<tr valign=\"top\">\n<td style=\"padding-left: 5px; background-color: #a6a6a6;\"><span style=\"font-size: 10px;\">14.00-14.20<\/span><\/td>\n<td style=\"padding-left: 5px; background-color: #d0d0d0;\"><span style=\"font-size: 10px;\">A102<\/span><br \/>\n<span style=\"font-size: 10px;\">Section didactique<\/span><span style=\"font-size: 10px;\">mod\u00e9rateur:<\/span><br \/>\n<span style=\"font-size: 10px;\">Yvonne Vrhovac<\/span><span style=\"font-size: 10px;\"><em>(Re)d\u00e9couvrir son savoir-etre a travers la comp\u00e9tence plurilingue<\/em><\/span><span style=\"font-size: 10px;\"><strong>SMUK<\/strong><\/span><span style=\"font-size: 10px;\"> Maciej,<\/span><br \/>\n<span style=\"font-size: 10px;\"> <strong>KUCHARCZYK<\/strong> Rados\u0142aw<\/span><\/td>\n<td style=\"background-color: #d0d0d0;\"><span style=\"font-size: 10px;\">A107<\/span><br \/>\n<span style=\"font-size: 10px;\">Section sciences du langage<\/span><span style=\"font-size: 10px;\">mod\u00e9rateur:<\/span><br \/>\n<span style=\"font-size: 10px;\">Gorana Biki\u0107-Cari\u0107<\/span><span style=\"font-size: 10px;\"><em>Entre mots et phrases : phrasillons affectifs en fran\u00e7ais et en croate<\/em><\/span><span style=\"font-size: 10px;\"><strong>FRANI\u0106<\/strong> Ivana<\/span><\/td>\n<td style=\"background-color: #d0d0d0;\"><span style=\"font-size: 10px;\">A218<\/span><br \/>\n<span style=\"font-size: 10px;\">Section litt\u00e9rature<\/span><span style=\"font-size: 10px;\">mod\u00e9rateur:<\/span><br \/>\n<span style=\"font-size: 10px;\">Maja Zorica<\/span><span style=\"font-size: 10px;\"><em>L\u2019affectivit\u00e9 dans les r\u00e9cits autobiographiques des volontaires fran\u00e7ais de l\u2019arm\u00e9e allemande<\/em><\/span><span style=\"font-size: 10px;\"><strong>BENE<\/strong><\/span><span style=\"font-size: 10px;\"> Kriszti\u00e1n<\/span><\/td>\n<td style=\"background-color: #d0d0d0;\"><span style=\"font-size: 10px;\">A116<\/span><br \/>\n<span style=\"font-size: 10px;\">Section activit\u00e9 traduisante<\/span><span style=\"font-size: 10px;\">mod\u00e9rateur:<\/span><br \/>\n<span style=\"font-size: 10px;\">Evaine Le Calv\u00e9 Ivi\u010devi\u0107<\/span><span style=\"font-size: 10px;\"><em>Les subjectivemes en traduction<\/em><\/span><span style=\"font-size: 10px;\"><strong>BALATCHI<\/strong><\/span><br \/>\n<span style=\"font-size: 10px;\"> Raluca-Nicoleta<\/span><\/td>\n<\/tr>\n<tr>\n<td style=\"padding-left: 5px; background-color: #a6a6a6;\"><span style=\"font-size: 10px;\">14.20-14.40<\/span><\/td>\n<td style=\"padding-left: 5px;\"><span style=\"font-size: 10px;\"><em>L\u2019auto\u00e9valuation des acquis chez des apprenants plurilingues<br \/>\n<\/em><br \/>\n<strong>LUJI\u0106<\/strong> Rea<\/span><\/td>\n<td><span style=\"font-size: 10px;\"><em>Articles en croate : fait du langue ou fait du style ?<\/em><br \/>\n<strong><br \/>\nFRLETA<\/strong> Tomislav,<\/span><br \/>\n<span style=\"font-size: 10px;\"> <strong>KUZMANI\u0106<\/strong> Maja<\/span><\/td>\n<td><span style=\"font-size: 10px;\"><em>Passions et conscience de soi dans l\u2019\u00e9criture autobiographique d\u2019Anna de Noailles <\/em><\/span><\/p>\n<p><span style=\"font-size: 10px;\"><strong>COJOCARIU<\/strong> Nicoleta<\/span><\/td>\n<td><span style=\"font-size: 10px;\"><em>Le \u00ab moi \u00bb du traducteur dans la communication de l\u2019\u00e9motion<\/em><br \/>\n<strong><br \/>\nABUDAYEH<\/strong> Haneen<\/span><\/td>\n<\/tr>\n<tr>\n<td style=\"padding-left: 5px; background-color: #a6a6a6;\"><span style=\"font-size: 10px;\">14.40-15.00<\/span><\/td>\n<td style=\"padding-left: 5px; background-color: #d0d0d0;\"><span style=\"font-size: 10px;\"><em>La place de la complexit\u00e9 didactique dans le discours des acteurs sociaux<\/em><\/span><\/p>\n<p><strong>NEVES SOARES<\/strong> Lara<\/td>\n<td style=\"background-color: #d0d0d0;\"><span style=\"font-size: 10px;\"><em>Les constructions transitives en fran\u00e7ais et en croate : l&#8217;exemple des verbes de mouvement<\/em><br \/>\n<strong><br \/>\nPOLAN\u010cEC<\/strong> Jurica,<\/span><br \/>\n<span style=\"font-size: 10px;\"> <strong>RAFFAELLI<\/strong> Ida<\/span><\/td>\n<td style=\"background-color: #d0d0d0;\"><span style=\"font-size: 10px;\"><em>\u00ab <\/em><em>Je \u00bb : distance int\u00e9rieure et \u00e9tranget\u00e9<br \/>\n<\/em><br \/>\n<strong>SEBKHI<\/strong> Habiba<\/span><\/td>\n<td style=\"background-color: #d0d0d0;\"><span style=\"font-size: 10px;\"><em>Pana\u00eft Istrati auteur et (auto)traducteur<\/em><br \/>\n<strong><br \/>\nENACHE<\/strong> Eugenia<\/span><\/td>\n<\/tr>\n<tr>\n<td style=\"padding-left: 5px; background-color: #a6a6a6;\"><span style=\"font-size: 10px;\">15.00-15.20<\/span><\/td>\n<td style=\"padding-left: 5px; text-align: center;\" colspan=\"4\" valign=\"top\"><span style=\"font-size: 10px;\">Pause caf\u00e9<\/span><\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: center; background-color: #b8cefe;\" colspan=\"5\" valign=\"top\"><span style=\"font-size: 12px;\"><strong>SESSION B<\/strong><\/span><\/td>\n<\/tr>\n<tr>\n<td style=\"padding-left: 5px; background-color: #a6a6a6;\"><span style=\"font-size: 10px;\">15.20-15.40<\/span><\/td>\n<td style=\"padding-left: 5px; background-color: #d0d0d0;\"><span style=\"font-size: 10px;\">Section didactique<\/span><\/p>\n<p><span style=\"font-size: 10px;\"> mod\u00e9rateur:<br \/>\nVedrana Berlengi<\/span><\/p>\n<p><span style=\"font-size: 10px;\"><em>L&#8217;apprenant et la diversit\u00e9 de ses identit\u00e9s<\/em><\/span><\/p>\n<p><span style=\"font-size: 10px;\"> <strong>VRHOVAC<\/strong> Yvonne<\/span><\/td>\n<td style=\"background-color: #d0d0d0;\"><span style=\"font-size: 10px;\">Section sciences du langage<\/span><\/p>\n<p><span style=\"font-size: 10px;\"> mod\u00e9rateur:<br \/>\nDra\u017een Varga<\/span><\/p>\n<p><span style=\"font-size: 10px;\"><em>\u00ab Je crois qu\u2019il est important de le souligner. \u00bb Formes et fonctions du cadrage subjectif explicite des \u00e9nonc\u00e9s en fran\u00e7ais \u2013 une sp\u00e9cificit\u00e9 par rapport \u00e0 l\u2019allemand ?<\/em><\/span><\/p>\n<p><strong>ADAM<\/strong>, S\u00e9v\u00e9rine<\/td>\n<td style=\"background-color: #d0d0d0;\"><span style=\"font-size: 10px;\">Section litt\u00e9rature<\/span><\/p>\n<p><span style=\"font-size: 10px;\">mod\u00e9rateur:<br \/>\nNenad Ivi\u0107<\/span><\/p>\n<p><span style=\"font-size: 10px;\"><em>Subjectivit\u00e9 et affectivit\u00e9 dans le poeme<\/em><\/span><\/p>\n<p><span style=\"font-size: 10px;\"><strong>BAL\u017dALORSKY ANTI\u0106<\/strong> Varja<\/span><\/td>\n<td style=\"background-color: #d0d0d0;\"><span style=\"font-size: 10px;\">Section activit\u00e9 traduisante<\/span><\/p>\n<p><span style=\"font-size: 10px;\"> mod\u00e9rateur:<br \/>\nEvaine Le Calv\u00e9 Ivi\u010devi\u0107<\/span><\/p>\n<p><span style=\"font-size: 10px;\"><em>Traduire l\u2019affectivit\u00e9 en roumain et en anglais : le cas de Maupassant<\/em><\/span><\/p>\n<p><span style=\"font-size: 10px;\"><strong>HAISAN<\/strong> Daniela<\/span><\/td>\n<\/tr>\n<tr>\n<td style=\"padding-left: 5px; background-color: #a6a6a6;\"><span style=\"font-size: 10px;\">15.40-16.00<\/span><\/td>\n<td style=\"padding-left: 5px;\" width=\"57\" valign=\"top\"><span style=\"font-size: 10px;\"><em>L\u2019affectivit\u00e9 dans les interactions verbales entre accompagnateur et accompagn\u00e9<\/em><\/span><\/p>\n<p><span style=\"font-size: 10px;\"><strong>POWER <\/strong>Cathal<\/span><\/td>\n<td width=\"47\" valign=\"top\"><span style=\"font-size: 10px;\"><em>Bilinguisme et d\u00e9doublement du sujet<\/em><\/span><\/p>\n<p><span style=\"font-size: 10px;\"><strong>BAGDASAROVA<\/strong><\/span><span style=\"font-size: 10px;\"> Satenik<\/span><\/td>\n<td width=\"47\" valign=\"top\"><span style=\"font-size: 10px;\"><em>Po\u00e9tique et transsubjectivit\u00e9 de \u00ab<\/em> <em>Les ravag\u00e9s<\/em> <em>\u00bb, Henri Michaux<\/em><\/span><\/p>\n<p><span style=\"font-size: 10px;\"><strong>RIBEIRO DE LIMA<\/strong><\/span><span style=\"font-size: 10px;\"> Bruno<\/span><\/td>\n<td width=\"47\" valign=\"top\"><span style=\"font-size: 10px;\"><em>L\u00b4inscription de la subjectivit\u00e9 traduisante, ou comment rendre en croate la contrainte d\u00b4une suite alphab\u00e9tique fran\u00e7aise (MNOPQRS). Analyse d\u00b4un chapitre de La Disparition par Georges Perec<\/em><\/span><\/p>\n<p><span style=\"font-size: 10px;\"><strong>MIK\u0160I\u0106 <\/strong>Vanda<\/span><\/td>\n<\/tr>\n<tr>\n<td style=\"padding-left: 5px; background-color: #a6a6a6;\"><span style=\"font-size: 10px;\">16.00-16.20<\/span><\/td>\n<td style=\"padding-left: 5px; background-color: #d0d0d0;\"><span style=\"font-size: 10px;\"><em>L\u2019interculturelle, une p\u00e9dagogie de confiance<\/em><\/span><\/p>\n<p><span style=\"font-size: 10px;\"><strong>BENDIHA<\/strong> Djamel<\/span><\/td>\n<td style=\"background-color: #d0d0d0;\"><span style=\"font-size: 10px;\"><em>Quand le sujet n&#8217;est pas l&#8217;agent; analyse contrastive du fran\u00e7ais et de l&#8217;espagnol<\/em><br \/>\n<\/span><span style=\"font-size: 10px;\"><strong>GAUCHOLA<\/strong> Roser<\/span><\/td>\n<td style=\"background-color: #d0d0d0;\"><span style=\"font-size: 10px;\"><em>La dualit\u00e9 dans L\u2019Apres-midi d\u2019un faune de St\u00e9phane Mallarm\u00e9<\/em><\/span><\/p>\n<p><span style=\"font-size: 10px;\"><strong>VRAN\u010cI\u0106<\/strong> Frano<\/span><\/td>\n<td style=\"background-color: #d0d0d0;\">&nbsp;<\/td>\n<\/tr>\n<tr>\n<td style=\"padding-left: 5px; background-color: #a6a6a6;\"><span style=\"font-size: 10px;\">16.20-16.40<\/span><\/td>\n<td style=\"padding-left: 5px;\" width=\"57\" valign=\"top\"><span style=\"font-size: 10px;\"><em>Approches interculturelle et contrastive de la diversit\u00e9 francophone en FL<\/em><\/span><\/p>\n<p><span style=\"font-size: 10px;\"><strong>OSZETZKY<\/strong> \u00c9va<\/span><\/td>\n<td width=\"47\" valign=\"top\"><span style=\"font-size: 10px;\"><em>Des locutions compos\u00e9es avec les syntagmes \u00ab \u00e2me \u00bb et \u00ab esprit \u00bb en fran\u00e7ais et en russe. Petite introduction a la personnalit\u00e9<\/em><\/span><\/p>\n<p><span style=\"font-size: 10px;\"><strong>KUNIKEEVA<\/strong> Albina<\/span><\/td>\n<td width=\"47\" valign=\"top\"><span style=\"font-size: 10px;\"><em>\u00ab Passionn\u00e9ment \u00bb : sujet lyrique et oralit\u00e9 critique dans le poeme de Gh\u00e9rasim Luca<\/em><\/span><\/p>\n<p><span style=\"font-size: 10px;\"><strong>TANQUEREL<\/strong> Sylvain<\/span><\/td>\n<td width=\"47\" valign=\"top\">&nbsp;<\/td>\n<\/tr>\n<tr>\n<td style=\"padding-left: 5px; background-color: #a6a6a6;\"><span style=\"font-size: 10px;\">16.40-17.00<\/span><\/td>\n<td style=\"background-color: #d0d0d0; padding-left: 5px;\" width=\"57\" valign=\"top\"><span style=\"font-size: 10px;\"><em>La comp\u00e9tence langagi\u00e8re des apprenants slov\u00e8nes : entre le communicationnel et le linguistique<\/em><\/span><\/p>\n<p><span style=\"font-size: 10px;\"><strong>LAH<\/strong> Meta<\/span><\/td>\n<td style=\"background-color: #d0d0d0;\"><span style=\"font-size: 10px;\"><em>Le marqueur de subjectivit\u00e9 : Sans doute et ses \u00e9quivalents en espagnol<\/em><\/span><\/p>\n<p><span style=\"font-size: 10px;\"><strong>MICHE<\/strong> Elisabeth<\/span><\/td>\n<\/tr>\n<tr>\n<td style=\"padding-left: 5px; background-color: #a6a6a6;\">&nbsp;<\/td>\n<td colspan=\"4\" width=\"57\" valign=\"top\">\n<p align=\"center\"><span style=\"font-size: 10px;\">Soir\u00e9e culturelle<\/span><\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/div>\n<p><a href=\"https:\/\/francontraste.ffzg.unizg.hr\/2013\/wp-content\/uploads\/2013\/04\/Programme2013.pdf\" rel=\"noopener\"><span style=\"font-size: 10px;\"><strong><span style=\"font-size: 14px;\">PROGRAMME<\/span><\/strong><\/span><\/a><span style=\"font-size: 10px;\">( PDF 418 KB )<\/span><img decoding=\"async\" loading=\"lazy\" class=\"alignnone\" style=\"margin-top: -10px; margin-bottom: -10px;\" title=\"pdficn\" src=\"https:\/\/francontraste.ffzg.unizg.hr\/2013\/wp-content\/uploads\/2013\/02\/pdficn.jpg\" alt=\"\" width=\"29\" height=\"30\"><br \/>\n&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>12.15-14.00Cantine de la Facult\u00e9 D\u00e9jeuner 08.00-09.30 Hall de la Facult\u00e9 Accueil &#8211; Inscriptions 09.30-11.00 Amphith\u00e9\u00e2tre 7 C\u00e9r\u00e9monie d&#8217;ouverture 11.00-11.30 Salle du Conseil &#8211; Vije\u010dnica Pause caf\u00e9 11.30-12.30 Amphith\u00e9\u00e2tre 6 Conf\u00e9rence pl\u00e9niere 1 mod\u00e9rateurs: Bogdanka Pavelin Le\u0161i\u0107, Dra\u017een Varga Raymond Renard SESSION A 14.00-14.20 A102 Section didactiquemod\u00e9rateur: Yvonne Vrhovac(Re)d\u00e9couvrir son savoir-etre a travers la comp\u00e9tence plurilingueSMUK [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"_links":{"self":[{"href":"https:\/\/francontraste.ffzg.unizg.hr\/2013\/index.php?rest_route=\/wp\/v2\/pages\/935"}],"collection":[{"href":"https:\/\/francontraste.ffzg.unizg.hr\/2013\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/francontraste.ffzg.unizg.hr\/2013\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/francontraste.ffzg.unizg.hr\/2013\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/francontraste.ffzg.unizg.hr\/2013\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=935"}],"version-history":[{"count":82,"href":"https:\/\/francontraste.ffzg.unizg.hr\/2013\/index.php?rest_route=\/wp\/v2\/pages\/935\/revisions"}],"predecessor-version":[{"id":1575,"href":"https:\/\/francontraste.ffzg.unizg.hr\/2013\/index.php?rest_route=\/wp\/v2\/pages\/935\/revisions\/1575"}],"wp:attachment":[{"href":"https:\/\/francontraste.ffzg.unizg.hr\/2013\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=935"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}